Installation 2020-21. We go back to the beginning of everything, to the origins.
Author: sms
Video 2021. Sabrina Montiel-Soto exposes our pulsations in an existential time that keeps us excited although far from reality.
Photography (continuou development). Le tarot, tout comme la vie quotidienne est un jeu perpétuel de cryptage-décryptage.
Photography (continuou development). A spontaneous action performed directly with paintings from the Louvre Museum, Paris and La Galeria de Arte Nacional, Caracas, Venezuela.
Installation 2020. « Réflexion sur le monde » articulée à partir d’anciens journaux belges collectionnés.
Installation 2019. Una recolección lúdica de historias permeadas de realidad ficcionada.
Video 2017. Un registro atemporal en el que la vida humana se presenta en su simplicidad.
Installation 2018. Focusing on Africa and Venezuela, I aim at reasserting the value of their origins and their strong link to nature to help us understand better where we come from.
Installation 2017-18. Mentira, todo es mentira. Un silencio se instala, las moscas llegan, no hay olor, solo un poco de color que permite ubicar el tiro al blanco. Las palmeras caen y son ellas las que abrigan.
Installation 2014. Here she becomes the new or “re” colonizer, occupy-ing our thoughts and imagination, creating new definitions of space, place and time.
Installation 2015. An exhibition looking into the history of the fusion of cultures, like a rough diamond transformed into a multi-layered, multi-facetted city that once had the sweet odour of biscuits and chocolate.
Video Installation 360° 2006. The Eternal Return is a reflection on time, space and private life, an interrogation of what eternity is and also over the sensuality of space.
Installation 2015. La vie est faite de départs et d’arrivées.
Performance 2019. Empty one, transform, multiply and give the word to the other. Step by Step.
Installation 2014. C’est un laboratoire situationniste, une expérience onirique multidisciplinaire, qui a pour but une création à partir de l’autre.
Installation 2010. “When we dream, we live twice.”
Sculpture 2009. Et si la sculpture s’affranchissait de sa quête purement formelle pour devenir aussi réfléchie et dialectique qu’un discours; aussi précise et rigoureuse qu’un concept; aussi grinçante et imagée qu’une fable ?…
Installation 2015. La artista ha estudiado a un grupo de niños de diferentes escuelas de Maracaibo, con edades entre los 6 y 13 años, y es basándose en sus respuestas con respecto a la forma de percibir la realidad del país, lo que crea la columna vertebral de la muestra.
Video 2015. Using everyday elements, the artist surveys a group of children aged 6 to 12 from different schools in Maracaibo, Venezuela.
Video 2010. An orange is placed in a path through a forest. She gets carried away to get to the sea.
Video, 1min.
Video Installation-3D 2004. Une femme gravit un enchevêtrement de poutres. A chaque fois qu’elle manque d’atteindre le spectateur, elle glisse et recommence son ascension.
Video Installation 3D by CALVACREATION 2006-08. It is a confrontation between emptiness and chaos. An exploration of the feeling of vertigo
linked to the ostensible loss of meaning in the global, industrialized world.
Video Installation by CALVACREATION 2011. Man has become a subject in a laboratory who were abused in both mental and physical experiment.
Light Sculpture 2015. Mundo Animal is a moving light installation, which represents fire as a first element that separated man from animal.